{"created":"2023-06-19T10:33:55.535581+00:00","links":{},"metadata":{"_buckets":{"deposit":"182495f6-ea70-4d01-8ab1-491812d82a28"},"_deposit":{"id":"21.1","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"21.1"},"status":"published"},"_oai":{"id":"oai:kobe-du.repo.nii.ac.jp:00000021.1","sets":["9:1:12"]},"author_link":["719","763","785","765","777","719","763","785","765","777"],"item_10002_biblio_info_33":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2012-11-30","bibliographicIssueDateType":"Issued"},"bibliographic_titles":[{"bibliographic_title":"芸術工学2012"}]}]},"item_10002_creator_28":{"attribute_name":"著者別名","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"YAMAMOTO, Tadahiro"}],"nameIdentifiers":[{"nameIdentifier":"719","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"1000060441375","nameIdentifierScheme":"NRID"}]},{"creatorNames":[{"creatorName":"OHTSUKA, Eiji"}],"nameIdentifiers":[{"nameIdentifier":"763","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"1000020441355","nameIdentifierScheme":"NRID"}]},{"creatorNames":[{"creatorName":"ISHII, Gakuryu"}],"nameIdentifiers":[{"nameIdentifier":"785","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"9000238820465","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/9000238820465"}]},{"creatorNames":[{"creatorName":"HASHIMOTO, Eiji"}],"nameIdentifiers":[{"nameIdentifier":"765","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"1000050218418","nameIdentifierScheme":"NRID"}]},{"creatorNames":[{"creatorName":"IZUMI, Masafumi"}],"nameIdentifiers":[{"nameIdentifier":"777","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"9000238820467","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/9000238820467"}]}]},"item_10002_description_31":{"attribute_name":"要旨","attribute_value_mlt":[{"subitem_description":"本研究の目的は、まんがと映画の関係について、実際にまんがを映像化して研究資料自体を制作することと、作成した資料をもとに異なるメディウムである両者について検証を試みることである。すでにまんがと映画の関係については、多くの先行研究により様々な角度から検証が行われているが、それらを踏まえつつ新たな論点を探求することも視野に入れる。\r\n本論では、大塚英志原作、藤原カムイ作画『アンラッキーヤングメン』（角川書店、2004~6）の一部を逐語訳的に映像化した上で、すでに一部逐語訳的映像化を行った石ノ森章太郎『龍神沼』（講談社、1961）の映像と適宜比較検証することで特徴を明らかにするとともに、1960 年代と2000 年代の映画的手法における表現の変化についても考察していく。","subitem_description_type":"Other"}]},"item_10002_description_32":{"attribute_name":"Summary","attribute_value_mlt":[{"subitem_description":"The objective of this case study is to compare and verify the relationship between the manga and the film created with manga as a base. The research about this process is carried out by many researchers previously. So, including the viewpoint of other researchers, I will add my own views to find a new approach to the issue of these studies.\r\nIn this paper, I am converting the part of manga written by Eiji OHTSUKA and Kamui FUJIWARA titled “UNLUCKY YOUNGMEN” and compare it to the manga based film“ RYUJINNUMA” previously converted by myself which was written by Shotaro ISHINOMORI in 1961. Comparing and verifying these two films conversion process will find out the difference between the changeｓ of the method of film in manga from 1960s’ to 2000s’.","subitem_description_type":"Other"}]},"item_10002_publisher_34":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"神戸芸術工科大学"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"山本, 忠宏"}],"nameIdentifiers":[{"nameIdentifier":"719","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"1000060441375","nameIdentifierScheme":"NRID"}]},{"creatorNames":[{"creatorName":"大塚, 英志"}],"nameIdentifiers":[{"nameIdentifier":"763","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"1000020441355","nameIdentifierScheme":"NRID"}]},{"creatorNames":[{"creatorName":"石井, 岳龍"}],"nameIdentifiers":[{"nameIdentifier":"785","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"9000238820465","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/9000238820465"}]},{"creatorNames":[{"creatorName":"橋本, 英治"}],"nameIdentifiers":[{"nameIdentifier":"765","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"1000050218418","nameIdentifierScheme":"NRID"}]},{"creatorNames":[{"creatorName":"泉, 政文"}],"nameIdentifiers":[{"nameIdentifier":"777","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"9000238820467","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/9000238820467"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-11-11"}],"displaytype":"detail","filename":"14_yamamoto_2012.pdf","filesize":[{"value":"709.5 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"url":"https://kobe-du.repo.nii.ac.jp/record/21.1/files/14_yamamoto_2012.pdf"},"version_id":"05eb7c96-a317-435b-b535-4648ad912bc8"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"まんがにおける映画的手法の比較研究/『龍神沼』と『アンラッキーヤングメン』","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"まんがにおける映画的手法の比較研究/『龍神沼』と『アンラッキーヤングメン』"},{"subitem_title":"COMPARATIVE STUDY ON THE METHOD OF FILM IN MANGA/『RYUJINNUMA』 and 『UNLUCKY YOUNGMEN』","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"15","path":["12"],"pubdate":{"attribute_name":"公開日","attribute_value":"2012-11-30"},"publish_date":"2012-11-30","publish_status":"0","recid":"21.1","relation_version_is_last":true,"title":["まんがにおける映画的手法の比較研究/『龍神沼』と『アンラッキーヤングメン』"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-06-19T10:33:56.470473+00:00"}