{"created":"2023-06-19T10:23:54.176331+00:00","id":76,"links":{},"metadata":{"_buckets":{"deposit":"5e92c551-1e4b-41ce-b8e4-9dc27f3ff631"},"_deposit":{"created_by":15,"id":"76","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"76"},"status":"published"},"_oai":{"id":"oai:kobe-du.repo.nii.ac.jp:00000076","sets":["9:21:24"]},"author_link":["751"],"control_number":"76","item_10002_biblio_info_33":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2010-11-24","bibliographicIssueDateType":"Issued"},"bibliographic_titles":[{"bibliographic_title":"芸術工学2010"}]}]},"item_10002_creator_28":{"attribute_name":"著者別名","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"YOON Jibak"}]}]},"item_10002_description_31":{"attribute_name":"要旨","attribute_value_mlt":[{"subitem_description":"本論は、近代ウィーンの作曲家ヨーゼフ･マティアス･ハウアーとアーノルド・シェーンベルクらによって生み出された「十二音技法」の音楽と造形芸術との関係性についての研究を試みる。色彩と音楽の関係については、古代から様々な関心が持たれていたが、ここでは特に近代の、ハウアー、シェーンベルクによって各々の「十二音技法」に関するモデルやダイアグラムの役割を明らかにし、また、ハウアーの「十二音技法」でもあるトロープスのパターン･ダイアグラムとヨハネス･イッテンの色彩関係を示した「12色環」ダイアグラムとの間に図像的観点からの類似点についての研究を行う。","subitem_description_type":"Other"}]},"item_10002_publisher_34":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"神戸芸術工科大学"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"尹 智博"}],"nameIdentifiers":[{"nameIdentifier":"751","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"9000006900748","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/9000006900748"},{"nameIdentifier":"1000090549677","nameIdentifierScheme":"NRID"},{"nameIdentifier":"90549677","nameIdentifierScheme":"e-Rad","nameIdentifierURI":"https://kaken.nii.ac.jp/ja/search/?qm=90549677"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-11-25"}],"displaytype":"detail","filename":"5_yoon_2010.pdf","filesize":[{"value":"957.7 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"5_yoon_2010","url":"https://kobe-du.repo.nii.ac.jp/record/76/files/5_yoon_2010.pdf"},"version_id":"8944b519-7db8-4ba3-a699-c190bd74f44f"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_title":"「十二音技法」のモデルとダイアグラムについて/ヨーゼフ・マティアス・ハウアーとヨハネス・イッテン","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"「十二音技法」のモデルとダイアグラムについて/ヨーゼフ・マティアス・ハウアーとヨハネス・イッテン","subitem_title_language":"ja"},{"subitem_title":"A STUDY ON MODELS AND DIAGRAMS OF ‘TWELVE-TONE TECHNIQUE’/Josef Matthias Hauer and Johaness Itten","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"15","path":["24"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2013-11-25"},"publish_date":"2013-11-25","publish_status":"0","recid":"76","relation_version_is_last":true,"title":["「十二音技法」のモデルとダイアグラムについて/ヨーゼフ・マティアス・ハウアーとヨハネス・イッテン"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-08-01T05:38:52.224357+00:00"}