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The production of Banshu weaving, which is a local industry of Kita Harima, Hyogo Prefecture, has drastically reduced due to price competition with inexpensive overseas areas of production. This reduction isn’t just a decline in one local industry, but is a serious problem directly linked to the regional economy and the population outflow of North Harima.\n The interest in stylishness as well as top quality textiles is rising in today’s luxury fashion market. Banshu weaving has considerably technological potential such as photo jacquard and cut jacquard, which are greatly advanced forms of jacquard weaves, but has not developed its own unique products. In order to meet the demands of the luxury market, it is indispensable to develop highly original products that can only be produced in the area. 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日本古来の素材や伝統技法・工芸を世界に通じる先染織物のデザインに活用するための基礎研究
https://kobe-du.repo.nii.ac.jp/records/233.1
https://kobe-du.repo.nii.ac.jp/records/233.1ae72185c-8509-4376-8006-6598b94080e7
名前 / ファイル | ライセンス | アクション |
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14_watanabe_2017.pdf (382.0 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2017-11-25 | |||||
タイトル | ||||||
タイトル | 日本古来の素材や伝統技法・工芸を世界に通じる先染織物のデザインに活用するための基礎研究 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | FUNDAMENTAL RESEARCH TO APPLY ANCIENT MATERIALS AND TRADITIONAL TECHNIQUES / CRAFTS OF JAPAN FOR THE WORLD-CLASS DESIGN OF YARN-DYED FABRICS | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 先染織物 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | YARN-DYED FABRICS | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
著者 |
渡邉, 操
× 渡邉, 操× 野口 , 正孝× 戸矢崎 , 満雄× 菊池, 園 |
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著者別名 |
WATANABE, Misao
× WATANABE, Misao× NOGUCHI, Masataka× TOYAZAKI, Mitsuo× KIKUCHI, Sono |
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要旨 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 本研究は日本古来の素材や伝統技法・工芸、とりわけ播磨藍、杉原和紙など、兵庫県に古くから育まれてきた素材や技法を調査し、世界に通じる先染綿織物のデザインに活用することを目的とする。兵庫県北播磨の地場産業である播州織は、安価な海外産地との価格競争の中で生産高を激減させている。これは一地場産業の衰退だけに留まらず、北播磨の地域経済や人口の流出に直結する深刻な問題である。 今日、ラグジュアリーファッションの市場では、高感度で高品質なテキスタイルに関心が高まっている。一方、播州織においては、ジャガード織を高度に進歩させたフォトジャガードやカットジャガードなどポテンシャルの高い技術を持ってはいるが、独自の製品開発には至っていない。播州織がラグジュアリー市場の需要に応えるためには、播州織でしか生み出すことができないオリジナル性の高い製品開発が不可欠である。そのためには播州織におけるジャガード織の高度な技術を用い、日本独自の美的価値観「ジャパンクオリティ」をキーワードにオリジナル性の高い、高付加価値な先染綿織物の開発が必要である。兵庫県の伝統的な染色技法や加工技術、日本古来の素材などの調査・研究・実験を行い、播州織産元商社の株式会社丸萬の協力を得て、新たな播州織の開発を試みる基礎研究を行った。 |
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Summary | ||||||
内容記述タイプ | Other | |||||
内容記述 | This research investigates traditional Japanese materials, techniques, and crafts, especially those of Hyogo Prefecture, such as Harima indigo and Sugihara Washi paper, and the use of those for world-class designs of yarn-dyed cotton fabric. The production of Banshu weaving, which is a local industry of Kita Harima, Hyogo Prefecture, has drastically reduced due to price competition with inexpensive overseas areas of production. This reduction isn’t just a decline in one local industry, but is a serious problem directly linked to the regional economy and the population outflow of North Harima. The interest in stylishness as well as top quality textiles is rising in today’s luxury fashion market. Banshu weaving has considerably technological potential such as photo jacquard and cut jacquard, which are greatly advanced forms of jacquard weaves, but has not developed its own unique products. In order to meet the demands of the luxury market, it is indispensable to develop highly original products that can only be produced in the area. Consequently, we have focused on the development of unique and high value-added yarn-dyed cotton fabric using the advanced technology of Banshu jacquard, in the name of "Japan Quality", which symbolizes Japan's unique aesthetic values. We have conducted research and experiments on traditional dyeing techniques and processing technology in Hyogo, and the ancient materials of Japanese origin, and then conducted basic research with the cooperation of Maruman Co. Ltd., a former trading company of Banshu weaving to develop new Banshu weaves. |
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書誌情報 |
芸術工学2017 発行日 2017-11-25 |
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出版者 | ||||||
出版者 | 神戸芸術工科大学 |